In our continuing effort to learn about emotions and consider all the implications involved with emotions, I thought I would mention another article I recently read. This time the article has to do with the movie “Inside Out” currently in theaters, but which I haven’t had a chance to see yet. I have my grandsons staying with me and plan to take them to see the movie sometime this week. I’ve heard only good things about it, which is remarkable in itself!
The article is written by two professors of psychology who have studied emotions for decades and were asked to be consultants on the film. I’ll let them do the talking here:
“‘Inside Out’ is about how five emotions — personified as the characters Anger, Disgust, Fear, Sadness and Joy — grapple for control of the mind of an 11-year-old girl named Riley during the tumult of a move from Minnesota to San Francisco…Riley’s personality is principally defined by Joy, and this is fitting with what we know scientifically. Studies find that our identities are defined by specific emotions, which shape how we perceive the world, how we express ourselves and the responses we evoke in others.
But the real star of the film is Sadness, for “Inside Out” is a film about loss and what people gain when guided by feelings of sadness…the movie’s portrayal of sadness successfully dramatizes two central insights from the science of emotion.
First, emotions organize — rather than disrupt — rational thinking. Traditionally, in the history of Western thought, the prevailing view has been that emotions are enemies of rationality and disruptive of cooperative social relations. But the truth is that emotions guide our perceptions of the world, our memories of the past and even our moral judgments of right and wrong, most typically in ways that enable effective responses to the current situation.”
(This last paragraph reinforces what I once wrote about emotions in my post of 7/03/2014 titled “The Rational v. The Emotional.” In that post I came to the conclusion that no matter how much we try to be rational, emotions govern our lives and our decisions. I also asserted that emotions are at the root of all behavior and cannot be extricated from the rational.)
In addition, the professors argue that “sadness prompts people to unite in response to loss” and that we should embrace sadness. If we apply this assertion to Martin and Louisa (and they were in the real world), we might be relieved because they have been overcome by a great deal of sadness during S6. The losses they have had to contend with include loss of independence, loss of autonomy, loss of private space, and perhaps the loss that results from the final cutting of ties to one’s mother despite knowing that she is despicable. Louisa would count the loss of affection and the feeling that she is loved by her husband. There may be additional loss ahead in S7; however, these losses, and the concomitant sadness, may lead to the sort of united response we would like to see.
As we saw in the previous post, sadness is a core emotion that can lead to a sense of relief and clarity. Wouldn’t it be nice if the sadness both Martin and Louisa have been experiencing could expedite a period of clarity followed by a stronger bond between them?
Originally posted 2015-07-14 21:13:15.