I planned to write a post about marriage next, and I still plan to write that; however, I feel inspired to write a post about Jack Lothian’s writing again first. My previous post about writers and actors in August gave a fairly detailed review of the final episode of season 5, which was written by Lothian, and I mentioned several other episodes written by him that I admired tremendously. In season 6 he is credited with writing episodes 1 and 8, the first and last episodes. To the best of my knowledge, the practice of writing a TV show (or a film for that matter) begins with determining the arc of the story for the season. I have to say that in the case of DM it’s quite a bit easier for the writers, producers, etc. to come up with an arc because there are only 8 episodes. For many of our series in the US, there are as many as 22 episodes for each season. In that case, there would be a story arc, but it would probably allow for changes along the way. Over the course of the season they have time to make adjustments if something doesn’t seem to be working as planned. At any rate, when I look at season 6 of DM and the two episodes Jack Lothian wrote, I wonder if he wrote them at the same time because I notice so many points of comparison. (As I’ve said before, I always believe that writers know what they’re doing and write with a consciousness of what they’re writing and intention to include what we see.) Of course you won’t be surprised to learn that I think they are by far the best episodes of this season due to the writing. But they also contain many aspects that connect them to each other and form a nice sense of coherence between them. I will even go so far as to say that episode 1 is my favorite of the season and possibly even of the entire series. I say that because I find it has romance, an impressive range of emotions, and so much humor that I can’t help but laugh out loud at many things that happen. When I first saw episode 1, I thought the series was off to a great season 6 because it was continuing to captivate us with that combination of romance and humor while keeping the characters complex. E2 kept my hopes up too, but then they took the show in a more downward and serious trajectory than I would have ever expected. I have now watched the whole season again and continue to be disappointed that the character of Doc Martin becomes so troubled by his psychological issues that he loses the clumsiness and the sort of naivete that he has had previously. By E6, when Margaret shows up, he’s already headed for trouble. Her appearance only makes things worse, but we do see some light in E8. (I understand if Martin Clunes wanted to shake things up a bit and maybe even wanted to show more of his own range, but for me the show could have stayed in the mode of the first two episodes and found a way to give him those opportunities too. Caroline Catz should have none of those complaints this season since Louisa was put through the wringer and she handled everything she was asked to do with tremendous skill.)
Back to the main reason for this post: comparing E1 and E8…
-The key points of comparison are that in both Martin asks for Louisa’s help, and in both he says “I’m sorry” to Louisa.
In E1 Martin needs Louisa to help him with the makeshift surgery he performs on the caravan owner who gets cut by glass when the unstable awning falls on him. Despite the man threatening them with his rifle, they don’t want him to die and Martin tells Louisa he can save him from bleeding to death, but “I need your help.” In E8, Martin leans over Louisa before performing surgery on her to save her from potentially bleeding into her brain and tells her, “I think I need your help” because he’s never been married before and he doesn’t seem to be very good at it, and he’d like to learn so he can be much better at it.
In E1 Martin says he’s sorry to Louisa as they’re walking up the dirt road with the man they operated on in a wheelbarrow. He knows their first night of marriage wasn’t exactly the kind of night she’d been hoping for. Louisa doesn’t think Martin needs to apologize and tells him the night is certainly one they’ll never forget. In E8 Martin tells Louisa he’s sorry after he kisses her goodbye. The kiss is awkward because he kisses her on the cheek when she wants to kiss him on the lips. He has also told JH he’s sorry for everything that’s happening.
I think repeating these two interactions ties the two episodes together subtly and nicely. That Martin acknowledges that he needs Louisa’s help is always welcome because he has so much trouble ever looking to others for anything. It’s also meaningful for him to apologize because that, too, is a sign everything hasn’t gone as well as he’s wished and he’s willing to admit it.
-Both also include Martin performing surgery and operating on the carotid artery.
In E1 the caravan owner’s carotid is nicked by a shard of glass. In E8 Martin uses the carotid artery as an access point to reach the AVM and complete the embolization. The carotid artery provides the brain with oxygenated blood which is essential to life. By using it twice, its importance for human life is emphasized and Martin’s ability to operate on it safely and successfully is reaffirmed.
-Ruth plays a significant role in both episodes and Al’s relationship to Ruth is important in both.
In E1 Ruth takes care of JH so Martin and Louisa can have a night alone. While they’re having all sorts of adventures throughout the night, she’s also dealing with an unsettled baby and the loss of electrical power in the house. She calls Al to come and fix the electrical problems only to find out he doesn’t know what to do. He does, however, know who to call and Mike Pruddy fixes the power problem and settles the baby. In E8 Ruth clarifies for Martin what he must do to save his marriage to Louisa. She also listens to Al’s proposal to start a bed and breakfast on her farm and determines that his idea is viable, giving him the best boost to his confidence he’s had in along time.
Ruth is a unifying force for Martin and Louisa in both episodes as well as the person in Al’s life who makes him feel important.
-I would go so far as to say that Martin is somewhat overcome at the wedding that he is now married to Louisa and that same sense of dismay plays a part in his inability to say and do the right things to keep her from leaving in E8.
At the reception following the wedding Martin stands apart from Louisa admiring her from across the room. His face reflects a man who is incredulous that he is married to the woman he’s been adoring for many years. In E8 he puts Louisa and JH in the taxi and watches as they drive away with something of the same look of incredulity on his face, but now it’s due to being utterly unsure what to do.
In a way the fact that Martin still appears so disbelieving is further evidence that he has lots of work to do on himself.
-Morwenna and Penhale fill the position of liaisons between Martin and Louisa in both.
In E1 Morwenna holds the baby during the wedding ceremony and then stands between Martin and Louisa as they discuss whether to leave or not. Rather than being an intrusion between the newlyweds, she forms a link and helps Louisa convince Martin to stay a little longer. Penhale wants to be Martin’s best man and makes sure he has a flower for his lapel. He looks for Louisa to arrive and later gives a wedding speech that celebrates both Martin and Louisa as important to the community. Both Morwenna and Penhale see the married couple off. In E8 Morwenna walks in on Martin as he’s doing an EKG on himself. She is one of the few people aware that he’s been running tests on himself. Then she watches in disbelief as Louisa leaves with JH. There’s a definite moment when her expression is telling the doc to do something to stop Louisa, but as usual he doesn’t get it. Penhale is the one who drives Martin to the airport so that he can stop Louisa from flying. He also convinces the security guard to let Martin pass and takes JH from Martin once they get to the hospital.
Martin may not acknowledge it, but these two dependable people enter his life at very important moments and matter a lot to his bond with Louisa.
A minor, and lighter point of comparison is that there are scruffy older men in both. There’s no need to make too much of this, but having these two men — the caravan owner in E1 and the folk singer in E8 — is another way to tie the two episodes together. In both cases, the men start out annoyed by Martin but end up grateful to him. In both cases, Martin extends himself to help them and his behavior demonstrates a fundamental quality of caring in him.
For me both episodes had some very funny moments, although E1 was by far the funnier of the two. In my opinion it may be the funniest of all the episodes so far and I will try to convince you by giving a rundown of all the funny moments in another post.
Originally posted 2013-11-01 21:23:57.