I am admittedly finding less and less to write about in regard to this show. Although the blog will remain open for a while longer because the time I paid for isn’t up until several more months have passed, I am straining to find anything of value to write about. As you know this blog is not a recap sort of site, nor is it a fan site for any of the actors. I have always written posts that have been inspired by ideas that arose from the show, and I think they have found ways to address a myriad of worthwhile subjects over the years. However, this last series has not introduced much in the way of new topics for discussion, and those I found, I’ve already written about.
One of the subjects we have had some moderate dispute over is whether this show was meant to be a drama or a comedy — or a combination of both, a dramedy. After listening to the most recent interview with Philippa Braithwaite, I feel assured that they consider the show a combination of comedy and drama and they try hard to find the right balance. That balance is essentially where they have at times gone off track, IMO. In S6, the show went too heavily for the dramatic and lost too much of the humor; in S7, they became farcical and neglected the drama to a great extent. They attempted to use the therapy as their dramatic vehicle, but even that became farcical, and determining the plot of each episode based on the actions recommended by the therapist became too forced. Plus the fact that it was obvious that they planned to put off any reconciliation between Martin and Louisa until the final episode made much of the action less compelling, and less convincing.
Then the final episode was so cartoonish and hard to swallow that the anticipated and presumed resolution was anticlimactic to a great extent. If anyone was going to have to make concessions this time, it would have to be Louisa. And it was her turn to both admit she was also at fault and ask for forgiveness. Throughout this series there were foreshadowings during the therapy sessions that Louisa was discovering her own role in their marital woes. Martin had admitted being wrong several other times. (That is not to say that their reconciliation wasn’t welcomed; only that its arrival was too long in the making.)
Now we’ve had S8. This series ended up toning down the interaction between Martin and Louisa to such an extent that there was very little humor between them, or even in their lives. The humor derived primarily from the other members of the ensemble and was relatively humdrum. The moments that elicited a laugh were few and far between, at least for me.
I did see a good cartoon in The New Yorker magazine that illustrates the mixture of comedy and drama in a dramedy, and thought it was worth sharing with you:
What this cartoonist has depicted, much as I argued in previous posts, is that basically dramedy revolves around relationships that often lead to some injury that is more likely to hurt someone’s pride than their body. And we laugh because they deserve the injury and because we’re human. In this case it’s the man who has decided to leave and the woman looking nonplussed. It’s left to our imagination how she might react when he steps on the banana peel, but most of us would expect her to get at least a little sense of schadenfreude from it. (I love the use of the banana peel again too.) And the man might find himself feeling foolish and undignified as he carries his luggage in a self-important manner. Like this cartoon, Doc Martin is a television series that uses both serious and comic subjects that they try to offset in as close to equal parts as possible but sometimes have overshot in one direction or the other.